Finished dimensions
Framing is largely driven by size. The moulding, glazing, matboard and backing all scale with the finished dimensions, and the finished size is always larger than the artwork itself once a frame and any mats are added.
Pricing guide
What affects the cost of custom framing?
Custom framing is priced from materials, size and labour rather than from a fixed catalogue. Two pieces of the same size can differ substantially once glazing, mats and mounting are decided.
This guide explains the variables the estimator asks about and how each one moves the price.
Frame width and depth
Wider and deeper mouldings cost more per metre and add more material to every side of the work. Depth also matters for canvas and for three-dimensional items that need a box construction.
Basic versus Premium frame assumptions
A Basic frame assumes a standard, readily available moulding in a common finish. A Premium frame assumes a heavier or more detailed profile, or a specialist finish. Both are assumptions used to produce a range, not a specific product selection.
Clear glass, Perspex and Art / Museum Glass
Clear glass is the standard option. Perspex is lighter and safer for large or high-traffic locations. Art / Museum Glass reduces reflection and filters ultraviolet light, and costs considerably more than clear glass at the same size.
Mat type and number of mats
A matboard separates the work from the glazing and changes the finished proportions. Premium mats use conservation-grade board. Additional mats add material and cutting time, so the count affects the price.
Mounting and conservation
How the work is held in the frame affects both cost and long-term condition. Conservation approaches use reversible methods and appropriate materials, which take more time than a standard mount.
Canvas preparation
Unstretched canvas needs stretching before it can be presented or framed. Stretched canvas and rigid panels can be presented as they are, floated in a frame, or set into a rebate frame.
Quantity
Producing a number of pieces to one specification is more efficient than producing them individually. Where that applies, multi-piece pricing may be reflected in the estimate. There are no fixed discount tiers.
Oversize and complexity
Very large works, fragile items, unusual shapes and deep objects require different materials, handling and sometimes specialist glazing. These projects often need review before a price can be confirmed.
Extra services excluded from the framing price
Printing, collection, delivery and installation are quoted separately and are never included in the indicative framing price. Some of these services may be provided by specialist partners.
The estimator's Art / Museum Glass option assumes lower-reflection UV70 art glass suitable for museum-quality presentation. UV92, UV99 and Lifetime Acrylic are specialist alternatives that can be discussed in a detailed quotation.
How the estimate is presented
Every priced estimate shows a range rather than a single figure, together with the assumptions used and the services excluded. Where more than one piece is included, a per-item range is shown alongside the total project range.
Apply this to your own project
The estimator uses these same variables to produce an indicative price range for your work.